Hard Drinkin’, Hard Readin’

17 06 2009
Wine Affaire

Wine Affaire

I don’t wanna get all John Wayne on you but a man’s gotta do what a man’s gotta do. Hmmm, maybe Hemingway would be more relevant.

Anyway! Late breaking event so I thought I’d post it up front. It’s not about writers’ groups -  it’s about a book group that would love to have writers involved. Yes, that means you!

The Book Club for Alcoholics is on this Saturday 20 June. If you care about books, wine or both then get to Wine Affaire, 73 Tras St. Jeremy Chua, one of this year’s finalists for Young Dramatist of the Year will be giving a poetry reading. There will be general meet and greet, otherwise known as schmoozing, and an opportunity to discuss which books this group will discuss in the future.

There’s no need to pre-book. Just turn up on the night from 9pm. Exit A from Tanjong Pagar MRT. For better directions click here and for more info then contact Adrian: adrian@wineaffaire.com

If you’re going to the Shamini Flint release then come along afterwards.





Publishing Singapore

17 06 2009

This link’s a little dated - 22 March 09 - but worth reading none the less. It’s a piece by ChannelNewsAsia on the indie publishing scene here in Singapore. Hope it gives people some hope!





AWA Wanderers

14 06 2009

AWA

The first block of sessions for the Wanderers has been completed. Himal is asking for venue suggestions for the next set as the Sacred Space hosts are booked out for the next few weeks. If you can think of somewhere that can comfortably seat up to ten people and is quiet and private then please let me know or contact Himal directly at himal.ruparel@gmail.com The AWA will return soon!





Be a Writer.

12 06 2009
Hugh Macleod- Gaping Void

Hugh Macleod- Gaping Void

Hugh MaCleod is a cartoonist. He draws cartoons on the back of business cards and blogs about them (there’s more to it than that). “OK”, I hear you say, “what’s that got to do with writing?” Hugh has a book out in the US titled Ignore Everybody, about creativity. I haven’t read it yet BUT I’ve read some of the excerpts. I’ve noted down some of his ideas about becoming “commercial” in creative fields and I agree with him.

* Selling out is harder than it looks. Diluting your product to make it more commercial will just make people like it less.

* If your plan depends on you suddenly being “discovered” by some big shot, your plan will probably fail. Nobody suddenly discovers anything. Things are made slowly and in pain.

* Don’t try to stand out from the crowd; avoid crowds altogether. There’s no point trying to do the same thing as 250,000 other young hopefuls, waiting for a miracle. All existing business models are wrong. Find a new one.

* The idea doesn’t have to be big. It just has to be yours. The sovereignty you have over your work will inspire far more people than the actual content ever will.

I know some people are going to say that creative writing is about art, not dollars and I agree up to a point. And that point is the decimal that floats around my bank balance. I’d much prefer to have it on the hard right of the statement instead of the midway mark. For a lot of writers, writing will never be about money. But it doesn’t have to be that way. Look at people from Mark Twain to Stephen King. They made money from their writing. The trick? Two actually.

  1.  Their good writing is recognisable as theirs. They’ve stayed true to the way they write, not someone else’s idea of how to write.
  2. They weren’t afraid to look for the dollar. It’s not a sin to be creative and earn money from it.

Their dedication to writing and making a living from it enabled them to spend more time on writing. It’s a positive cycle, rather than a vicious one

I’m not saying we should just give up our day jobs to make millions from writing. What I am saying is that it is possible to make writing your full time passion and employment and that if you dream of doing so then stop putting obstacles in your path. Make it happen. Yep, that requires a game-plan. More on the game-plan later.

Please note: if you follow the above link to Hugh’s website then please be aware that he does swear. Just sayin’.





Secondary and Tertiary Students Only

11 06 2009
NBDCS

NBDCS

This one’s for all the young tyros out there. The NBDCS is hosting a two day 

 
 How exciting! Here’s what the Council say:
 This is a team-based programme for students of upper secondary to tertiary levels. Through the participation in this programme, the students will:

a) actively acquire story writing skills through a unique story development workshop; and

b) convert their story concepts into full blown artistic interpretations supported by professional artwork and inputs.

The programme will be led by Woon Chet Choon, President of the Screenwriters Association (Singapore) and Lee Kowling, leading illustrator and designer in Singapore. 

Ok, here’s a touch more gossip about it. You must still be a student at a secondary school or tertiary institution and also fork out the $120 fee. Bear in mind that the usual fee is $650 dollars. If you read through the workshop description in the link above, then you’ll agree with me that this is a fantastic program and well worth the price. You get to prepare a story and then work it through with a professional illustrator over the five weeks after the workshop and then – but wait, there’s more – present it in September. Don’t miss out on this opportunity as I suspect there are limited places.

Happy writing!





Submissions

11 06 2009
Jenna Luckenbach - Fortunate Creations

Jenna Luckenbach - Fortunate Creations

 

I just found a new literary magazine named Soft Whispers and it’s asking for submissions. Their first issue will be in September.

The editors are Jim and Samantha Wisneski, short story writers and novelists themselves. They will accept both short stories of about 2000 words and poetry submissions. Make sure you read their terms regarding copyright and plagiarism before submitting.

There’s no money involved but they will send you two copies of the magazine if they accept your work ie: it’s a hardcopy magazine, not an e-zine.

Happy writing!





BECOME A FAMOUS AUTHOR OVERNIGHT!!!

9 06 2009

cash

Ok, now that I have your attention… I figured you would want to know about the following competition.

The Adelaide Review, in conjunction with the University of Adelaide, is introducing their first ever Annual Short Fiction Award. Entries can come from worldwide but must be in English, never been published before (that includes on-line) and must be less than 2500 words long. Children’s fiction is not admissible. Deadline is 10 July, so get writing!

The prize is 1 dozen bottles of wine (I don’t know how that works, living in Singapore) plus you’ll have the honour of buying me lunch in acknowledgement of me drawing your attention to the competition. You can’t say that’s not a grand prize!

Entry and conditions are here.

Thanks to Wong Seng Chow for bringing this to my attention.








Follow

Get every new post delivered to your Inbox.